In my work I aim to correspond with a specific primitive way of seeing that apply a living character to inanimate objects.
Through photography, I search to infuse objects with a new potentiality of expression. In other words, I seek to unveil the alternative identity of the objects and spaces I work with, and redefine their nature through their visual presence.
            The investigation on this conceptual strategy is divided in my working practice to two main methods, which are finalized and presented as series of photographic images.
In one way of working, I physically alter the structure and form of a given object, or as a parallel system, I change the order and appearance of an existing space.
As a second way of working, I search for locations and things that fascinate me, and document them without any physical interference.
            In both methods I approach the making of an image by physically and psychologically responding to the space I am working in, which is usually an interior. The rooms become for me a frame or a three-dimensional canvas where a certain directed activity of the objects is performed. 
This performance is in my eyes an indirect representation of the world through the eyes of the primitive. It is a suggestion for a state of transformation that finds its sources not only in observation and looking, but also in the need of the photographed objects to bring to conscious their hidden identities.
As a subject matter, I would like my work to be an allegory to this sensitive state of awareness.